Nice was an early adopter of work on aluminum, he felt that “anodized aluminum suits the visual achievement of our time. It deals with light in a new and creative way” and that “light is evidence of life”. Nice worked on aluminum from the early 1990’s, exhibiting this work at Babcock Galleries, NY, Catherine Houard, Paris, the Albany Institute of History and Art, The Samuel Dorsky Museum, and the Oklahoma Art Institute. Nice was integral in the formation of the Black River Press at Northern Engraving, which produced works on anodized aluminum for artists including Janet Fish, Richard Haas, Robert Cottingham, Richard Anuskiewicz, and Paul Waldman.